Jeter hurts shoulder

[Chris B]

Chris.. no one called YOU a lurker. Follow along kiddo.

Southsider called him a lurker, Steff. Try reading the previous posts in the thread before you start jumping in and commenting on something that does not involve you.

Thank you clujer great avatar by the way.

[clujer420]

Thank you clujer great avatar by the way.

No prob....you've been around here for a while, so I'm sure you've picked up on some of the tactics used. They have very selective memories, to say the least.

 

And thank you -- Junior rules.

[southsider2k5]

Lurker? Not me, busy with work yes. I cant believe the intelligence of some people or shall I say lack of, but to each his own.

 

I am not going to get into a war of words with some people on the internet over nothing.

 

Carry on again.

LMAO. So first you have been here SOOOOOOOOOO long that only your opinion is valid, then you only post when you see something important, but you don't lurk? 2+2=6?

 

*sigh* I will agree with you on one thing, it isn't worth it to go into a war of words, espesially when the words are all circular logic.

 

Call it what you like, but at least follow a line of thought!

[Steff]

Chris.. no one called YOU a lurker. Follow along kiddo.

Southsider called him a lurker, Steff. Try reading the previous posts in the thread before you start jumping in and commenting on something that does not involve you.

Nope.. he didn't. He said "so you've been lurking here for 6 months... bla, bla, bla..."

 

Lurking is a verb.

Lurker is a noun.

 

But that was a galant effort!!

[Steff]

Thank you clujer great avatar by the way.

No prob....you've been around here for a while, so I'm sure you've picked up on some of the tactics used. They have very selective memories, to say the least.

 

And thank you -- Junior rules.

Nothing beats quoting from previous posts!

[cwsox]

Thank you clujer great avatar by the way.

 

 

And thank you -- Junior rules.

My avatar can - and will - beat up your avatar.

 

 

 

 

 

Which makes no sense but neither does the way this thread is going. Since I followed Jeter when he was a Kal Central Maroon, can I delcare myself the winner here so this back and forth stuff can be ended?

 

I've even lost track of who is mad at who here (and I don't care) but it is kind of pointlessly going on and on and on.

[Steff]

Ahhhhh cw. The almighty voice of reason

 

 

You're request is my pleasure. My apologies.

[Chris B]

Eminem what a waste of an American.

[clujer420]

My avatar can - and will - beat up your avatar.

 

I've even lost track of who is mad at who here (and I don't care) but it is kind of pointlessly going on and on and on.

No way -- if Junior can defeat Goliath, he can defeat Eminem. Book it.

 

Also, you're right about this thread going on and on. That's what happens sooooooo often, and it's stupid. Wish that wouldn't happen so much.

[southsider2k5]

Thank you clujer great avatar by the way.

 

 

And thank you -- Junior rules.

My avatar can - and will - beat up your avatar.

 

 

 

 

 

Which makes no sense but neither does the way this thread is going. Since I followed Jeter when he was a Kal Central Maroon, can I delcare myself the winner here so this back and forth stuff can be ended?

 

I've even lost track of who is mad at who here (and I don't care) but it is kind of pointlessly going on and on and on.

Yeah, your're right. I am done with the bickering.

[cwsox]

Eminem what a waste of an American.

Funny, last week, Marshall and I were talking about the upcoming baseball season (he is such a Tiger fan) and he felt the same way about you.

 

Mr. Mathers and I could not agree on which was Handel's best opera. My favorite is Serse (also known as Xerxes) but Em chose the usual one, Julius Ceasar (so jejune of him). To make it easier for the rest of you to join in, I will list them all with the librettist and hope we can have a meaningful discussion on this topic.

 

Aci e Galatea

(1718, John Gay)

 

Admeto

(first performance: Haymarket Theatre, London, 31 gennaio 1727)

 

Agrippina

(1708-09, V.Grimani)

 

Alcina

(1735, Antonio Marchi)

 

Alessandro

(1726 ?, Paolo Antonio Rolli)

 

L’Allegro, il Penseroso e il Moderato

(1740, Charles Jennens )

 

Almira

(1705, Feutsking Friedrich Christian, after Giulio Pancieri)

 

Amadigi di Gaula

(1715, Nicola Francesco Haym)

 

Ariodante

(1735, by composer, after Salvi)

 

Athalia

(1733, Racine)

 

Berenice

(1737)

 

Esther

(1718 - John Arbuthnot and Alexander Pope )

 

Flavio

(1723, Nicola Francesco Haym)

 

Floridante

(1721, Rolli, after Silvani)

 

Giustino

(1737, N.Beregani)

 

Giulio Cesare in Egitto

(1724, Nicola Haym)

 

Hercules

(1745, Thomas Broughton)

 

Imeneo

(1740, libretto adapted after Stampiglia)

 

Jephta

(1752)

 

Judas Maccabaeus

(1747, Morell, after Bible)

 

Orlando

(1733, G. Braccioli)

 

Ottone

(1723, Nicola Francesco Haym)

 

Partenope

(1730, Silvio Stampiglio)

 

Poro, re dell'Indie

(1731, after Metastasio, same libretto as Hasse, "Cleofide")

 

Radamisto

(1720, Nicola Francesco Haym)

 

Riccardo primo, re d'Inghilterra

(1720, Rolli, after Briani)

 

Rinaldo

(1711, Rossi)

 

Semele

(1744, William Congreve)

 

Serse

(1738)

 

Tamerlano

(1724, Piovene Agostino (adapt. Nicola Francesco Haym)

 

Teseo

(1713, Nicola Francesco Haym)

[bjmarte]

Eminem what a waste of an American.

Funny, last week, Marshall and I were talking about the upcoming baseball season (he is such a Tiger fan) and he felt the same way about you.

 

Mr. Mathers and I could not agree on which was Handel's best opera. My favorite is Serse (also known as Xerxes) but Em chose the usual one, Julius Ceasar (so jejune of him). To make it easier for the rest of you to join in, I will list them all with the librettist and hope we can have a meaningful discussion on this topic.

 

Aci e Galatea

(1718, John Gay)

 

Admeto

(first performance: Haymarket Theatre, London, 31 gennaio 1727)

 

Agrippina

(1708-09, V.Grimani)

 

Alcina

(1735, Antonio Marchi)

 

Alessandro

(1726 ?, Paolo Antonio Rolli)

 

L’Allegro, il Penseroso e il Moderato

(1740, Charles Jennens )

 

Almira

(1705, Feutsking Friedrich Christian, after Giulio Pancieri)

 

Amadigi di Gaula

(1715, Nicola Francesco Haym)

 

Ariodante

(1735, by composer, after Salvi)

 

Athalia

(1733, Racine)

 

Berenice

(1737)

 

Esther

(1718 - John Arbuthnot and Alexander Pope )

 

Flavio

(1723, Nicola Francesco Haym)

 

Floridante

(1721, Rolli, after Silvani)

 

Giustino

(1737, N.Beregani)

 

Giulio Cesare in Egitto

(1724, Nicola Haym)

 

Hercules

(1745, Thomas Broughton)

 

Imeneo

(1740, libretto adapted after Stampiglia)

 

Jephta

(1752)

 

Judas Maccabaeus

(1747, Morell, after Bible)

 

Orlando

(1733, G. Braccioli)

 

Ottone

(1723, Nicola Francesco Haym)

 

Partenope

(1730, Silvio Stampiglio)

 

Poro, re dell'Indie

(1731, after Metastasio, same libretto as Hasse, "Cleofide")

 

Radamisto

(1720, Nicola Francesco Haym)

 

Riccardo primo, re d'Inghilterra

(1720, Rolli, after Briani)

 

Rinaldo

(1711, Rossi)

 

Semele

(1744, William Congreve)

 

Serse

(1738)

 

Tamerlano

(1724, Piovene Agostino (adapt. Nicola Francesco Haym)

 

Teseo

(1713, Nicola Francesco Haym)

Now THAT is how you kill a thread!

[Jim Fainter]

Baseball players are asking for injuries like this for insisting on sliding into bases head first. Everybody wants to play like Pete Rose. They think they are perceived to be hustling when they slide head first. They are just risking injury to many body parts, and they don't get there any faster. A tradtional feet first, pop-up slide by Jeter makes him safe and unhurt.

[Mathew]

Ahhhh you cant blame the catcher in that situation.  He did what he was suppose to do.

I think my original post indicated I was being a bit fecetious. I agree that it was good hustle and a good play, I was indicating that things like that don't happen as often as they once would. As far as the poping of the shoulder I think it's more severe than that, I played rugby and would pop my shoulder out and know how to pop it back in, it hurts like a bastard the next day, but I'm sure that Jeter's case is far more severe than that.

[Chisoxfn]

Well, this is a board. The point of a board is for people to throw their opinions out and say different things. News is gonna be up on the main page. If people have ideas, they are entitled to post them here, and see what other Sox fans think or just share their opinion.

 

Some will agree, some with disagree, but the key is for everyone to have fun. If people don't get along, then it can bring everything down. This board has grown so much, based on the fact that there are so many knowledgeable fans here sharing their opinion and having good discussion about White Sox topics as well as general major league baseball topics.

 

I beggeth, that we all just take some breaths and end this thread without any more hostility.

[clujer420]

I beggeth, that we all just take some breaths and end this thread without any more hostility.

I'll call a cease fire if all others agree to abide by it.

 

The decision is theirs'.

[cwsox]

Eminem what a waste of an American.

Funny, last week, Marshall and I were talking about the upcoming baseball season (he is such a Tiger fan) and he felt the same way about you.

 

Mr. Mathers and I could not agree on which was Handel's best opera. My favorite is Serse (also known as Xerxes) but Em chose the usual one, Julius Ceasar (so jejune of him). To make it easier for the rest of you to join in, I will list them all with the librettist and hope we can have a meaningful discussion on this topic.

 

Aci e Galatea

(1718, John Gay)

 

Admeto

(first performance: Haymarket Theatre, London, 31 gennaio 1727)

 

Agrippina

(1708-09, V.Grimani)

 

Alcina

(1735, Antonio Marchi)

 

Alessandro

(1726 ?, Paolo Antonio Rolli)

 

L’Allegro, il Penseroso e il Moderato

(1740, Charles Jennens )

 

Almira

(1705, Feutsking Friedrich Christian, after Giulio Pancieri)

 

Amadigi di Gaula

(1715, Nicola Francesco Haym)

 

Ariodante

(1735, by composer, after Salvi)

 

Athalia

(1733, Racine)

 

Berenice

(1737)

 

Esther

(1718 - John Arbuthnot and Alexander Pope )

 

Flavio

(1723, Nicola Francesco Haym)

 

Floridante

(1721, Rolli, after Silvani)

 

Giustino

(1737, N.Beregani)

 

Giulio Cesare in Egitto

(1724, Nicola Haym)

 

Hercules

(1745, Thomas Broughton)

 

Imeneo

(1740, libretto adapted after Stampiglia)

 

Jephta

(1752)

 

Judas Maccabaeus

(1747, Morell, after Bible)

 

Orlando

(1733, G. Braccioli)

 

Ottone

(1723, Nicola Francesco Haym)

 

Partenope

(1730, Silvio Stampiglio)

 

Poro, re dell'Indie

(1731, after Metastasio, same libretto as Hasse, "Cleofide")

 

Radamisto

(1720, Nicola Francesco Haym)

 

Riccardo primo, re d'Inghilterra

(1720, Rolli, after Briani)

 

Rinaldo

(1711, Rossi)

 

Semele

(1744, William Congreve)

 

Serse

(1738)

 

Tamerlano

(1724, Piovene Agostino (adapt. Nicola Francesco Haym)

 

Teseo

(1713, Nicola Francesco Haym)

Now THAT is how you kill a thread!

you think this is really a thread killer bjmarte?

 

I am trying! - this was intended as a thread killer - believe me I have more if need be -

[cwsox]

BJMarte, how about a list of some Oscar winners in the 1970s?

 

1970

Picture:

"PATTON", "Airport", "Five Easy Pieces", "Love Story", "M*A*S*H"

Actor:

GEORGE C. SCOTT in "Patton", Melvyn Douglas in "I Never Sang For My Father", James Earl Jones in "The Great White Hope", Jack Nicholson in "Five Easy Pieces", Ryan O'Neal in "Love Story"

Actress:

GLENDA JACKSON in "Women in Love", Jane Alexander in "The Great White Hope", Ali MacGraw in "Love Story", Sarah Miles in "Ryan's Daughter", Carrie Snodgrass in "Diary of a Mad Housewife"

Supporting Actor:

JOHN MILLS in "Ryan's Daughter", Richard Castellano in "Lovers and Other Strangers", Chief Dan George in "Little Big Man", Gene Hackman in "I Never Sang For My Father", John Marley in "Love Story"

Supporting Actress:

HELEN HAYES in "Airport", Karen Black in "Five Easy Pieces", Lee Grant in "The Landlord", Sally Kellerman in "M*A*S*H", Maureen Stapleton in "Airport"

Director:

FRANKLIN SCHAFFNER for "Patton", Robert Altman for "M*A*S*H", Federico Fellini for "Fellini Satyricon", Arthur Hiller for "Love Story", Ken Russell for "Women in Love"

 

1971

Picture:

"THE FRENCH CONNECTION", "A Clockwork Orange", "Fiddler on the Roof", "The Last Picture Show", "Nicholas and Alexandra"

Actor:

GENE HACKMAN in "The French Connection", Peter Finch in "Sunday, Bloody Sunday", Walter Matthau in "Kotch", George C. Scott in "The Hospital", Topol in "Fiddler on the Roof"

Actress:

JANE FONDA in "Klute", Julie Christie in "McCabe and Mrs. Miller", Glenda Jackson in "Sunday, Bloody Sunday", Vanessa Redgrave in "Mary, Queen of Scots", Janet Suzman in "Nicholas and Alexandra"

Supporting Actor:

BEN JOHNSON in "The Last Picture Show", Jeff Bridges in "The Last Picture Show", Leonard Frey in "Fiddler on the Roof", Richard Jaeckel in "Sometimes a Great Notion", Roy Scheider in "The French Connection"

Supporting Actress:

CLORIS LEACHMAN in "The Last Picture Show", Ann-Margret in "Carnal Knowledge", Ellen Burstyn in "The Last Picture Show", Barbara Harris in "Who is Harry Kellerman, and Why is He Saying These Terrible Things About Me?", Margaret Leighton in "The Go-Between"

Director:

WILLIAM FRIEDKIN for "The French Connection", Peter Bogdanovich for "The Last Picture Show", Norman Jewison for "Fiddler on the Roof", Stanley Kubrick for "A Clockwork Orange", John Schlesinger for "Sunday, Bloody Sunday"

 

1972

Picture:

"THE GODFATHER", "Cabaret", "Deliverance", "The Emigrants", "Sounder"

Actor:

MARLON BRANDO in "The Godfather", Michael Caine in "Sleuth", Laurence Olivier in "Sleuth", Peter O'Toole in "The Ruling Class", Paul Winfield in "Sounder"

Actress:

LIZA MINNELLI in "Cabaret", Diana Ross in "Lady Sings The Blues", Maggie Smith in "Travels With My Aunt", Cicely Tyson in "Sounder", Liv Ullmann in "The Emigrants"

Supporting Actor:

JOEL GREY in "Cabaret", Eddie Albert in "The Heartbreak Kid", James Caan in "The Godfather", Robert Duvall in "The Godfather", Al Pacino in "The Godfather"

Supporting Actress:

EILEEN HECKART in "Butterflies Are Free", Jeannie Berlin in "The Heartbreak Kid", Geraldine Page in "Pete 'n' Tillie", Susan Tyrrell in "Fat City", Shelley Winters in "The Poseidon Adventure"

Director:

BOB FOSSE for "Cabaret", John Boorman for "Deliverance", Francis Ford Coppola for "The Godfather", Joseph L. Mankiewicz for "Sleuth", Jan Troell for "The Emigrants"

 

1973

Picture:

"THE STING", "American Graffiti", "Cries and Whispers", "The Exorcist", "A Touch of Class"

Actor:

JACK LEMMON in "Save the Tiger", Marlon Brando in "Last Tango in Paris", Jack Nicholson in "The Last Detail", Al Pacino in "Serpico", Robert Redford in "The Sting"

Actress:

GLENDA JACKSON in "A Touch of Class", Ellen Burstyn in "The Exorcist", Marsha Mason in "Cinderella Liberty", Barbra Streisand in "The Way We Were", Joanne Woodward in "Summer Wishes, Winter Dreams"

Supporting Actor:

JOHN HOUSEMAN in "The Paper Chase", Vincent Gardenia in "Bang the Drum Slowly", Jack Gilford in "Save the Tiger", Jason Miller in "The Exorcist", Randy Quaid in "The Last Detail"

Supporting Actress:

TATUM O'NEAL in "Paper Moon", Linda Blair in "The Exorcist", Candy Clark in "American Graffiti", Madeline Kahn in "Paper Moon", Sylvia Sidney in "Summer Wishes, Winter Dreams"

Director:

GEORGE ROY HILL for "The Sting", Ingmar Bergman for "Cries and Whispers", Bernardo Bertolucci for "Last Tango in Paris", William Friedkin for "The Exorcist", George Lucas for "American Graffiti"

 

1974

Picture:

"THE GODFATHER, PART II", "Chinatown", "The Conversation", "Lenny", "The Towering Inferno"

Actor:

ART CARNEY in "Harry and Tonto", Albert Finney in "Murder on the Orient Express", Dustin Hoffman in "Lenny", Jack Nicholson in "Chinatown", Al Pacino in "The Godfather, Part II"

Actress:

ELLEN BURSTYN in "Alice Doesn't Live Here Anymore", Diahann Carroll in "Claudine", Faye Dunaway in "Chinatown", Valerie Perrine in "Lenny", Gena Rowlands in "A Woman Under the Influence"

Supporting Actor:

ROBERT DE NIRO in "The Godfather, Part II", Fred Astaire in "The Towering Inferno", Jeff Bridges in "Thunderbolt and Lightfoot", Michael V. Gazzo in "The Godfather, Part II", Lee Strasberg in "The Godfather, Part II"

Supporting Actress:

INGRID BERGMAN in "Murder on the Orient Express", Valentina Cortese in "Day for Night", Madeline Kahn in "Blazing Saddles", Diane Ladd in "Alice Doesn't Live Here Anymore", Talia Shire in "The Godfather, Part II"

Director:

FRANCIS FORD COPPOLA for "The Godfather, Part II", John Cassavetes for "A Woman Under the Influence", Bob Fosse for "Lenny", Roman Polanski for "Chinatown", Francois Truffaut for "Day for Night"

 

1975

Picture:

"ONE FLEW OVER THE CUCKOO'S NEST", "Barry Lyndon", "Dog Day Afternoon", "Jaws", "Nashville"

Actor:

JACK NICHOLSON in "One Flew Over The Cuckoo's Nest", Walter Matthau in "The Sunshine Boys", Al Pacino in "Dog Day Afternoon", Maximilian Schell in "The Man in the Glass Booth", James Whitmore in "Give 'Em Hell, Harry!"

Actress:

LOUISE FLETCHER in "One Flew Over The Cuckoo's Nest", Isabelle Adjani in "The Story of Adele H.", Ann-Margret in "Tommy", Glenda Jackson in "Hedda", Carol Kane in "Hester Street"

Supporting Actor:

GEORGE BURNS in "The Sunshine Boys", Brad Dourif in "One Flew Over The Cuckoo's Nest", Burgess Meredith in "The Day of the Locust", Chris Sarandon in "Dog Day Afternoon", Jack Warden in "Shampoo"

Supporting Actress:

LEE GRANT in "Shampoo", Ronee Blakley in "Nashville", Sylvia Miles in "Farewell, My Lovely", Lily Tomlin in "Nashville", Brenda Vaccaro in "Jacqueline Susann's Once Is Not Enough"

Director:

MILOS FORMAN for "One Flew Over The Cuckoo's Nest", Robert Altman for "Nashville", Federico Fellini for "Amarcord", Stanley Kubrick for "Barry Lyndon", Sidney Lumet for "Dog Day Afternoon"

 

1976

Picture:

"ROCKY", "All the President's Men", "Bound for Glory", "Network", "Taxi Driver"

Actor:

PETER FINCH in "Network", Robert De Niro in "Taxi Driver", Giancarlo Giannini in "Seven Beauties", William Holden in "Network", Sylvester Stallone in "Rocky"

Actress:

FAYE DUNAWAY in "Network", Marie-Christine Barrault in "Cousin, Cousine", Talia Shire in "Rocky", Sissy Spacek in "Carrie", Liv Ullmann in "Face to Face"

Supporting Actor:

JASON ROBARDS in "All the President's Men", Ned Beatty in "Network", Burgess Meredith in "Rocky", Laurence Olivier in "Marathon Man", Burt Young in "Rocky"

Supporting Actress:

BEATRICE STRAIGHT in "Network", Jane Alexander in "All the President's Men", Jodie Foster in "Taxi Driver", Lee Grant in "Voyage of the Damned", Piper Laurie in "Carrie"

Director:

JOHN G. AVILDSEN for "Rocky", Ingmar Bergman for "Face to Face", Sidney Lumet for "Network", Alan J. Pakula for "All the President's Men", Lina Wertmuller for "Seven Beauties"

 

1977

Picture:

"ANNIE HALL", "The Goodbye Girl", "Julia", "Star Wars", "The Turning Point"

Actor:

RICHARD DREYFUSS in "The Goodbye Girl", Woody Allen in "Annie Hall", Richard Burton in "Equus", Marcello Mastroianni in "A Special Day", John Travolta in "Saturday Night Fever"

Actress:

DIANE KEATON in "Annie Hall", Anne Bancroft in "The Turning Point", Jane Fonda in "Julia", Shirley MacLaine in "The Turning Point", Marsha Mason in "The Goodbye Girl"

Supporting Actor:

JASON ROBARDS in "Julia", Mikhail Baryshnikov in "The Turning Point", Peter Firth in "Equus", Alec Guinness in "Star Wars", Maximilian Schell in "Julia"

Supporting Actress:

VANESSA REDGRAVE in "Julia", Leslie Browne in "The Turning Point", Quinn Cummings in "The Goodbye Girl", Melinda Dillon in "Close Encounters of the Third Kind", Tuesday Weld in "Looking for Mr. Goodbar"

Director:

WOODY ALLEN for "Annie Hall", George Lucas for "Star Wars", Herbert Ross for "The Turning Point", Steven Spielberg for "Close Encounters of the Third Kind", Fred Zinnemann for "Julia"

 

1978

Picture:

"THE DEER HUNTER", "Coming Home", "Heaven Can Wait", "Midnight Express", "An Unmarried Woman"

Actor:

JON VOIGHT in "Coming Home", Warren Beatty in "Heaven Can Wait", Gary Busey in "The Buddy Holly Story", Robert De Niro in "The Deer Hunter", Laurence Olivier in "The Boys From Brazil"

Actress:

JANE FONDA in "Coming Home", Ingrid Bergman in "Autumn Sonata", Ellen Burstyn in "Same Time, Next Year", Jill Clayburgh in "An Unmarried Woman", Geraldine Page in "Interiors"

Supporting Actor:

CHRISTOPHER WALKEN in "The Deer Hunter", Bruce Dern in "Coming Home", Richard Farnsworth in "Comes a Horseman", John Hurt in "Midnight Express", Jack Warden in "Heaven Can Wait"

Supporting Actress:

MAGGIE SMITH in "California Suite", Dyan Cannon in "Heaven Can Wait", Penelope Milford in "Coming Home", Maureen Stapleton in "Interiors", Meryl Streep in "The Deer Hunter"

Director:

MICHAEL CIMINO for "The Deer Hunter", Woody Allen for "Interiors", Hal Ashby for "Coming Home", Warren Beatty and Buck Henry for "Heaven Can Wait", Alan Parker for "Midnight Express"

 

1979

Picture:

"KRAMER vs. KRAMER", "All That Jazz", "Apocalypse Now", "Breaking Away", "Norma Rae"

Actor:

DUSTIN HOFFMAN in "Kramer vs. Kramer", Jack Lemmon in "The China Syndrome", Al Pacino in "...And Justice For All", Roy Scheider in "All That Jazz", Peter Sellers in "Being There"

Actress:

SALLY FIELD in "Norma Rae", Jill Clayburgh in "Starting Over", Jane Fonda in "The China Syndrome", Marsha Mason in "Chapter Two", Bette Midler in "The Rose"

Supporting Actor:

MELVYN DOUGLAS in "Being There", Robert Duvall in "Apocalypse Now", Frederic Forrest in "The Rose", Justin Henry in "Kramer vs. Kramer", Mickey Rooney in "The Black Stallion"

Supporting Actress:

MERYL STREEP in "Kramer vs. Kramer", Jane Alexander in "Kramer vs. Kramer", Barbarie Barrie in "Breaking Away", Candice Bergen in "Starting Over", Mariel Hemingway in "Manhattan"

Director:

ROBERT BENTON for "Kramer vs. Kramer", Francis Ford Coppola for "Apocalypse Now", Bob Fosse for "All That Jazz", Edouard Molinaro for "La Cage Aux Folles", Peter Yates for "Breaking Away"

[Mathew]

He is out a month or two, at least.  Phew!  Glad i didnt draft jeter on any of my fantasy teams!

"We miss him when he's out of the lineup for one game,'' manager Joe Torre said. "To have him out for an extended period of time, we're lucky we haven't had that happen before. This will probably be a month or more. There will be a big void.''

 

Overlay Bmr's quote to Joe Torre's and I don't see much that's out of line, nor is he rumour starting.

[Mathew]

Pardon me I didn't see the cease fire posts, I digress.

[whitesox247]

I really like Jeter, and I hope he gets well soon.

 

cwsox you'll have to try harder than that

[Guest hotsoxchick1]

your tryin to kill it????? damn it i miss all the fun..............

[clujer420]

I'm not sure if anyone has mentioned this, but the 4-6 weeks he'll miss is an ESTIMATE. He's scheduled to have an MRI on Thursday, and obviously much more will be known at that time. I would optimistically (for Yankee fans) say 6 weeks, but it very well could be something that forces him to miss 3-4 months, or even the entire season. It's all speculation at this point, though.

[Guest hotsoxchick1]

I'm not sure if anyone has mentioned this, but the 4-6 weeks he'll miss is an ESTIMATE. He's scheduled to have an MRI on Thursday, and obviously much more will be known at that time.  I would optimistically (for Yankee fans) say 6 weeks, but it very well could be something that forces him to miss 3-4 months, or even the entire season.  It's all speculation at this point, though.

awe hes young and healthy... i would tend to say around 6 or so weeks to be more like it... i missed 8 weeks of doing anything when i dislocated both of my elbows at the same time......kinda sucked.........